M-Mr. Cash?
Mr. Cash?
J.R...
J.R., turn it off and get to sleep!
Change it, J.R.
Turn it off.
Guess which Carter that is.
Anita?
- That's fine. - Nope. June.
That was little ten-year-old June singing for you.
And what was the name of that number now?
Turn it off!
Do I have to come in there?!
Let's get to bed.
It's hot.
It's going to be hotter tomorrow.
Maybe Daddy will quit us early
and we can go fishin'.
We'll go fishin' Saturday.
Daddy needs a good day from us tomorrow, J.R.
I know.
Jack?
Mm-hmm?
How come you're so good?
I ain't.
You pick five times more than me.
Well, I'm bigger than you are.
You know every story in Scripture.
You know every song in Mama's hymnal.
Songs are easy.
They ain't for me.
There's more words in the Bible than in Heavenly Highway Hymns.
Look, J.R., if I'm gonna be a preacher one day...
I got to know the Bible front to back.
I mean, you can't help nobody if you can't tell them
the right story.
Said by noon it's gonna be 104.
Them radio stations will say anything
to get them niggers off.
Ray, why don't you let J.R. Take the babies in?
I told Roz we'd have a crop yesterday.
What do I say when he pulls up here and we're shy?
You ready to unload that piano?
We're not selling Daddy's piano.
And I'm not the one in Bartstown
drinking every Saturday.
Eh, what's up, Doc?
Whoa!
What, what did that rooster say
when he was all blown up by the TNT
and picking his feathers up outside that henhouse?
"F-Fortunately, boy, I keep my feathers numbered
for just such an emergency."
I got it, I got it.
Can we go soon?
Mr. Coles gave me a dollar to cut the whole pile...
and not half.
Go on ahead, J.R.
Catch a fish.
The worm on a hook.
Drop it in a brook.
If things go right...
you'll fry some fish tonight.
Where you been? Where you been?
Throw that pole down.
Get in the car! In the car!
J.R.
You hear them, J.R.?
You hear them angels?
I can hear 'em, Jack.
They're so beautiful.
Beautiful.
Jack?
Do something!
You know what that is, J.R.?
You know that is coming out of there?
Stop it, Ray.
Nothing!
Nothing, that's what that is.
That's what that's worth.
And that's what you are.
Leave it alone, Ray.
He didn't do this.
The devil did this!
He took the wrong son!
- Stop it, Ray.
He was my best, and now he's gone!
Jack, please, don't leave me alone.
- Ray! - Quiet! Quiet!
Everybody quiet!
You're going to miss your bus.
Communist troops have been driven out of Seoul, Korea...
by U.S. Forces led by General Douglas MacArthur.
What's that?
Anybody seen Tommy?
He's leaving, Ray. Come on.
Don't start crying, Mama.
Be careful with that rifle, J.R.
Yeah, I will, Mama.
Last month, that Pervis boy got confused and shot himself.
Ain't going to be no battles, Carrie.
He's going to Germany.
The war is in Korea.
I love you.
I love you, too.
Take this.
Thanks, Mama.
Take care of yourself, Donzil.
Take care of my sister, too.
I will.
Hey, Tommy, be a good boy.
You're gonna miss your bus.
Yeah.
I saw this church in Dusseldorf...
made of limestone, big as a train station.
We could get married there and go to Venice.
That's in Italy, Viv.
The streets are made of water, I ain't kiddin'.
Johnny, I haven't seen you for two years.
We only dated for a month.
My daddy says there's something wrong with you.
Well... what do you say, Viv?
I mean... I thought you said you loved me.
I do.
Oh, I do.
Then don't be scared.
You tell him that.
You tell him I love you, too.
He says that's impossible.
He says that you hardly know me.
Well, I know perfect when I meet it.
Let's go, Cash!
Viv, listen, baby...
you tell your daddy I'm your man.
Tell him we're gonna make a family
and I'm gonna be on the radio, 'cause I am.
You tell him we're gonna have a nice house
and we're gonna be happy.
And we're gonna live in Memphis.
And you tell him I'm gonna love you forever.
- Do you promise? - That's a promise, Viv.
Do you hear me?
That's a pro...
Five minutes was up five minutes ago.
I am Folsom Prison.
At one time they called me "Bloody Folsom."
And I earned the name.
My own prisoners built me.
Every block of my granite
is cemented by the blood of many men.
Is it any wonder a man sometimes went berserk
and fought the hated walls that shut him in?
Knock it off!
You knock it off and get to sleep!
This was a common thing in those old days.
I had so little work for them to do...
You gonna try today, John?
Really try to sell something?
What does that mean?
I cleaned out
your case last night, and, baby, all I found
were peanut bags and music magazines.
I need you to think about
what my daddy offered.
Viv, I'm trying.
I mean, I'm really trying to sell stuff.
Hello, ma'am.
I'm from Home Equipment Company
over on Summer, and we have a lot of...
...enamel colors that you can choose from
that we can...
Hello. I'm John Cash
and I'm from the Home Equipment Company on Summer.
LaQuisha!
LaQuisha, who is it!?
You are late, man.
Little higher.
A little... yeah, a little higher.
Now play the chord.
Let's hear your E, Marshal.
There's my E.
Lulubelle, time to come in!
Jack! Jack, get in here!
- Let's go. - Jack!
Let's go, John.
Viv?
- Viv, open the door.
Viv.
Viv, don't embarrass me.
You know who's out there watching.
I want to see my daddy.
I want to go home, John.
Please.
He's just got a job, sitting in there in San Anton...
just waiting for us. It's just sitting there...
it's just sitting there waiting...
Viv, the guys are here.
My band is here in Memphis.
Your band?
John, your band?
Your band is two mechanics who can't hardly play.
Baby, can't you hear the difference between you and that?
You have your wife
and your baby in a dump, John...
and another one on the way...
and we can't even make rent, John.
Excuse me, sir.
Are you the owner of this place?
That's me.
Hello, I'm J.R. Cash.
Sam Phillips.
Well, good to meet you, Mr. Phillips.
I'm a singer and I've got a band...
and we've been working on some songs.
You want to cut a record, son? It's four dollars.
What about the guys there on the wall in the pictures?
I mean, they pay four dollars?
They're on my label.
How do I get on there?
You audition.
Right now?
Call my secretary, Marion, when she comes back.
She's at the salon.
She'll set you up an appointment next month.
I can't wait that long, Mr. Phillips.
Excuse me?
I can't wait that long.
What about this one?
I can iron it.
John, you can't wear that one.
It's black.
It's the only color shirt we all have.
Nothing wrong with black.
It looks like you're going to a funeral.
Maybe I am.
Hold on.
I hate to interrupt...
but do you guys got something else?
I'm sorry.
I can't market gospel.
No more.
So that's it?
I don't record material that doesn't sell, Mr. Cash...
and gospel like that doesn't sell.
Was it the gospel or the way I sing it?
Both.
Well, what's wrong with the way I sing it?
I don't believe you.
You saying I don't believe in God?
J.R., come on, let's go.
No. I want to understand.
I mean, we come down here, we play for a minute...
and he tells me I don't believe in God.
You know exactly what I'm telling you.
We've already heard that song a hundred times...
just like that, just like how you sang it.
Well, you didn't let us bring it home.
Bring... bring it home?
All right, let's bring it home.
If you was hit by a truck
and you were lying out in that gutter dying...
and you had time to sing one song, huh, one song...
people would remember before you're dirt...
one song that would let
God know what you felt about your time here on earth...
one song that would sum you up...
you telling me that's the song you'd sing?
That same Jimmie Davis tune we hear on the radio all day?
About your peace within and how it's real
and how you're gonna shout it?
Or would you sing something different?
Something real, something you felt?
Because I'm telling you right now...
that's the kind of song people want to hear.
That's the kind of song that truly saves people.
It ain't got nothing to do with believing in God, Mr. Cash.
It has to do with believing in yourself.
Well, I've got a couple songs I wrote in the Air Force.
You got anything against the Air Force?
No.
I do.
J.R., whatever you're about to play...
we ain't never heard it.
Where you been?
Are you drunk?
What happened?
He didn't like our gospel.
So I played him some songs that I wrote.
We made a record, Viv.
I mean, a real, real record.
We did it like, like six times.
I had to sing the song over and over again.
And, uh, and playin' it.
And you should have seen Marshall.
He was so nervous.
But I mean, we made a real record
- of my song. - Oh, baby.
- Of my song. - Oh, baby.
Never seen nobody play like that.
Ladies and gentlemen...
The Killer Jerry Lee Lewis!
Get yourselves a pine box, boys...
nobody follows The Killer.
These next boys have just put out
their first record called "Cry, Cry, Cry"
- and it is selling like hotcakes. - Shoot, now I'm late.
Oh, my gosh!
Excuse me. That's my cue.
Oh, no, you... oh, that's stuck...
right on my dress.
Hey, Bill!
- Let me get... - Hold on, Bill... I'm comin'!
- Uh... Oh, my.
I think I hear June Carter's voice, ladies and gentlemen.
I'll be right there, Bill, I'll be right there.
- Uh, reckon when, June?
Well, Bill, I got tangled.
- Yeah, in what, June Bug?
Johnny Cash's guitar strap.
Don't worry, I can keep this funny
for at least two minutes.
And I tell you what, Bill.
He's a strapping boy, that Johnny Cash.
And his guitar strap is pretty strappin', too.
Here. I love that Cry song by the way.
Thanks.
Ladies and gentlemen, Miss June Carter.
- Bill!
Bill, I had to come and tell you.
I had to tell you...
I had to tell you
I just can't sing tonight.
You best be getting out here.
Well, Bill...
I got the laryngitis.
- June, we... - I do!
Y'all laughing, but I do.
We all just heard you hollering up a storm backstage.
Well, I didn't have it then, Bill.
Ladies and gentlemen, Miss June Carter.
All right.
June's going to be back to sing later.
Her family is also with us tonight.
But like I was saying, these boys up next
are hotter than a pistol.
They are burning up the radio
with their new hit, "Cry, Cry, Cry."
We want to make sure we
give them a big Texarkana welcome.
So here they are, folks.
New passengers on the Sun Rocking Railway-
Johnny Cash and the Tennessee Two.
Hello.
I'm Johnny Cash.
Thank you, thank you very much.
Viv, I'm telling you...
I think this is the best show we've ever done.
Hell, it might be the best show I've ever seen.
No kidding!
Where are you?
Texarkana.
Baby, I miss you.
Hey, do you hear Orbison doing our song?
He turned it into a two-step, listen.
You hear that?
Oh, damn it!
- What's the matter?
Damn it! Oh, it's Roseanne.
She just ran her head into the table.
Roseanne!
Roseanne, here, talk to Daddy.
Hey, Roseanne. Hey, it's Daddy.
Honey, don't, don't cry.
Daddy's going to be home real soon.
- John, I have to go. - Huh?
I have to go, John.
Bye.
You're sounding good tonight, Cash.
Real tight.
Oh, thanks, man.
You want some chili fries?
Oh, no, that's all right.
She's been in the spotlight
since you and me was bitin' ankles.
They say Maybelle had a crib at the Ryman...
so she could pull her out and let her whoop and holler
and pop her back in to go to sleep.
We're leaving in an hour, John.
All right.
Aw, that's a sweet story, honey.
No.
Within, like, five minutes.
All right.
Everything else all right?
Okay.
I love you, too.
Bye-bye.
How you doing?
Bye.
Coffee?
Yeah, and some toast, please.
Hey.
- Hey, how are you? - Good. Do you mind?
No, not at all.
Did you lose your voice?
I did.
I was just singing my heart out up there.
I've got to ask you how you came up with that sound.
What sound?
That sound everybody's talking about.
Steady like a train, sharp like a razor.
Well, we'd play faster if we could.
I guess it just...
come out like that.
I got to close my register.
Oh, yeah, sure.
Thank you.
Here's a picture
of my wife, Viv...
- my baby, Roseanne. - Oh, look at her.
She's beautiful.
Thanks. Got another one on the way.
- I got a little girl, too. - Yeah?
Her name's Carlene, yeah. She's about the same age.
You know when I was in the service...
I used to look at pictures of you...
you know, in magazines.
Oh.
No... no, it wasn't like that.
I mean, I... I liked your music, you know?
- Yeah? - Yeah.
I mean, I... you were, well, you are...
I mean, l-I kept track of you.
You and your family.
I listened to your voice my whole life, you know?
Me and my brother, Jack...
we always listened to your songs.
Like "Swallerin' Place."
- Yeah. - Yeah.
We liked it when you'd sing one alone.
Well, you and Jack are the only ones.
What do you mean?
I'm not really much of a singer, Johnny.
I mean, I got a lot of personality, I got sass...
I give it my all, but my sister Anita's
really the one who's got the pipes.
Well, who said that?
Everybody. My mama, my daddy.
That's how come I learned to be funny...
so I'd have something to offer.
Well... parents aren't always
the best judge of things...
if you want my opinion.
So how long you on the tour?
Another couple of weeks.
We just got on board, but...
I tell you it feels like a lot longer.
I'm sure.
I'm headed off, I'm going to the Ryman.
Why don't you tell your brother, Jack, to tune in...
and I'll sing him something.
What does he like?
Oh, that's-that's sweet, but, uh, he passed.
I'm sorry.
Were y'all real close?
Yeah.
Yeah, he's, uh...
It's funny, I ain't talked about Jack in a long time, you know?
After he died, I... I talked about him all the time...
but, uh... I guess people grew tired of it.
So I just stopped.
John?
You're tired, aren't you?
Yeah.
It'll slow down.
It will.
I better get going.
It's good to talk to you.
You, too.
Take care.
I'll see you soon.
You better tune in...
I'm going to sing you that "Swallerin' Place."
I will, I really will.
Okay.
That's fine, that's perfect.
Yes, ma'am.
When was the last time you heard him moving around in there?
I don't know.
Thought you were going to help me today, John.
You head out tomorrow.
Yeah.
Better start living life here with us when you come home...
before you have to leave again.
Hey, you know, I was thinking.
You know, maybe I could get Bob to push my dates.
I'm happy when I'm here.
I like waking up and seeing your face.
John, those bags over there?
Hmm.
Those letters in there are ten to one from girls.
Ten to one, and they're obscene.
Reba's been trying to answer some of them...
but, you know, half of them ain't even 15...
and they are sending pictures of themselves in bathing suits.
Pictures for you to look at
while you're doing time at Folsom.
Oh, Viv.
This one girl, she sent you...
Viv, you know, don't even read those letters, you know...
It's just crazy right now, that's all.
You know?
Hell, you should have seen last week.
We was at the fair, and, uh...
this bus full of 4H girls pulls up, you know...
and they come piling out of there...
and they go running and screaming
after Carl and Roy, I mean running.
John... I have a casserole in the oven and your sister
in the kitchen, and I don't want to talk about the tour.
Viv, you're the one who brought it up.
In fact, that's my new rule.
When you come home, I want to get
right down to talking about regular things.
Viv, don't give me no rules.
All I got are rules.
All I got is to be at this place at this time.
I'm trying to go there, and I'm trying to be back here
and spend time with you and the kids...
and write songs, do this-
I mean, what do you want from me, all right?
I got you your dream house, all of your things...
all the pretty little things.
I got you your car.
What do you want from me?!
I want you, John, I want you!
And I want everything that you promised to me.
Well, what if I can't do that?
Got your mind on something?
What are you doing up there, man?
I'm building a bomb.
Where we going again?
Tyler. The George Jones show.
Where was it we just was?
Have another one, Carl.
Austin, Carl. That's where
y'all picked me up.
Hey, Johnny, you see the new charts?
"Cry, Cry, Cry" was 14, I think.
Yeah, I heard that. I haven't seen it.
Wherever we been, I can tell you where we're going.
Everybody in this car is going to hell.
What about the car up there?
We're all going to hell for the songs we sing.
People that listen to them, they're going to hell, too.
Shut up with that.
God gave us a great big apple, see, and He said...
"Don't touch it."
He didn't say touch it once in a while.
He didn't say take a nibble when you're hungry.
He said, "Don't touch it.
Don't think about touching it.
Don't sing about touching it.
Don't think about singing about touching it."
Well, what about me, Jerry Lee?
Am I going to hell?
No, June, you're beautiful.
Sleepy is what I am.
She's making me fall in love with her.
Feel my heart. Come here.
Sincerely.
Feel my heart, baby.
It's just a-beating for you.
Stop it, Jerry.
Come on, I'm falling for you, June.
Hey. Jerry Lee.
Jerry Lee, stop it.
Jerry Lee, just sit your ass down.
Just sit down.
The 1957 Chevrolet...
- Looks like we're here.
Oh, thank goodness.
Get me out of this car and all these boys.
Let's go, home sweet home, boys.
If you could just put those right there, that'd be great.
Oh, wait.
I wanted to give you that Billboard.
Oh, right.
It's in here somewhere.
You got a library in there, June.
Here it is.
I circled it for you.
- Hmm. - It's right there.
Yeah.
Fourteen.
- I don't believe it.
Um, I wanted to give you this.
Yeah, I just finished it.
It's really amazing.
The Prophet?
Yeah.
Keep it.
Oh, no, you don't want to...
Whenever I finish a book, I give it away to somebody.
Just lightens my load.
John.
I just went through a terrible divorce.
I got a world of judgment on me right now.
And, um...
it's really none of my business...
but you seem like you have a nice family.
I'm sorry. It just happened.
Just happened?
Yeah.
You wear black 'cause you can't find anything else to wear?
You found your sound 'cause you can't play no better?
You just tried to kiss me, because...
it just happened?
You should try taking credit for something
every once in a while.
John.
Hey, Lou.
Hey, John.
You okay?
I'll let you know in a few minutes.
How you doing?
Okay.
That boy Elvis sure likes to talk poon.
That's all I heard since Lubbock.
Ease off, ease off.
Do you want some?
What is it?
Well, it'll just make you want
to drive all the way to Jacksonville
and enjoy yourself once you get there.
Elvis takes 'em.
Yeah.
Yes, sir...
Be careful.
Here comes Marshall with his bomb.
Hey, you got your lighter, J.R.?
Yeah.
All right, you help me get up in there.
- Grab that fuse. - All right.
How long we got us after we light it?
About 30 seconds a foot.
All right.
Does your wife know how much you like to blow stuff up?
Sure she does.
That's why I married her, John.
Did you light it?
There's a bomb up here, ladies and gentlemen.
It'll go...
Way to go, Johnny boy.
Thank you.
Thank you very much.
How about them boys, huh?
Johnny Cash and the Tennessee Three.
You kicked it good tonight, John.
Thanks, man.
That's right, kiss his ass.
Hey, Jerry Lee, your mama know you're out?
She knows.
How about that Johnny Cash, everybody?
- Johnny Cash!
Okay, now.
Mr. Cash?
Yeah?
There's a Miss Audrey Parks here to see you.
Who?
Audrey Parks.
Well, hey.
Oh, get it now.!
Ray, why don't you say grace?
Mama, it's J.R.'s table.
Why don't you say grace, J.R.?
No, go ahead.
Mm-hmm.
Yeah.!
Hi.
You're June Carter, ain't ya?
Oh, my.
Betsy Pervis.
Hi, Betsy. So nice to meet you.
Well, we're coming to see the show tonight.
Oh, wonderful.
This is my husband, Lloyd.
Hi, Lloyd. So nice to meet you.
Y'all wouldn't know
where the fishin' tackle is, would you?
Back of... back of them footballs on the corner.
Oh. All right, great.
Well, y'all enjoy the show, and if you have any requests...
just holler 'em out.
- Morning. - Hey.
Oh, can I help you?
Oh, um, I'm looking for some lace.
Oh, the sewing store on Saticoy's got lace.
Thank you.
You know, your ma and pa are good Christians
in a world gone to pot.
Well, I'll tell 'em you said that.
I'm surprised they still speak to you
after that stunt with Carl Smith.
Divorce is an abomination.
Marriage is for life.
I'm sorry I let you down, ma'am.
Hey.
What's funny?
Well, you've just been standing in that same spot
for about ten minutes staring at that Polly Pepper book.
Well... well, I can't...
I can't figure out which one Roseanne would like more.
She got brown hair, which makes me think this one.
- Right. - But this is baby sister's...
and she got a baby sister, and...
Well, I got that one for Carlene, and she liked it.
Oh, yeah?
I missed her birthday.
- Oh. - So I wanted to get her something more...
you know, like one of these dollhouses.
But I don't know how
to get it out to her.
You want me to help you?
I think there's a lake right up around the corner.
- Got a hitch in your giddy-up? - Yeah.
Forgot how much I like this.
Hey, June?
I never used one of these fancy reels before.
Well, what'd you use, a sapling?
- Yeah.
Okay, hold on, I'll help you.
- It's like there's some kind of a lock on it or... - No.
My daddy taught me how to do this; I'll show you.
Keep your thumb down on the button.
That loosens the line.
And then you're gonna bring it back...
and then you're gonna throw it out there...
and then when you're ready...
if you got a good spot for it, you let go of the button.
- All right? - Side-arm?
Yeah, side-arm.
All right.
See? There you go.
Hey, folks, what do you say we get June Carter out here again?
Maybe she'll, uh, sing with me.
- No, no, no, no.
Now, come on, June, I never sing with you.
I have my slippers on. I'm not coming out there.
Well, they don't care if you got your slippers on.
Come on, it's for the sake of the evening.
Folks, let's hear it: June, June...
June, June, June, June...
- June, June, June, June... - Come on, June.
Prove Elvis wrong.
He says you can't do nothing that ain't written in your calendar.
- June, June, June, June, June, June...
June, June, June...
June, June, June, June, June, June, June, June...
- You see, June?
- They want to see us together. - All right, well...
quit that clutching on me, and I'll sing with you...
but you got to quit clutching on me.
Hi, folks. How y'all doing again?
I hope y'all don't mind my bare feet.
So, what are we gonna sing, Johnny?
You got me out here.
Is that where your plan ends?
- Well, uh... I always liked
that song of yours, "Time's a Wastin'."
- Let's do that one.
Oh, come on, I don't know about that.
How about your hit song, "Big River"?
- That's a good song.
Well, "Big River" ain't a duet.
Uh, let's do "Time's a Wastin"'.
John, I am not gonna sing that song.
It's inappropriate.
I recorded it with my ex-husband.
- I'm not going to sing it.
There's no better way to put it behind you.
I'm not gonna do it.
June, let's sing.
Don't do that!
Hey, June.
June?
Open up.
June, open the door.
Just leave me be, John, all right?
What?
W-What did I do?
June, it's a song.
Just please get away from me.
I think I hear Johnny Cash and the Tennessee Three.
They'll be playing all weekend long at the Malco.
Matinees and evening shows, along with Jerry Lee Lewis...
June Carter and Carl Perkins.
It's the candy man.
Is the candy man like Jerry Lee, there?
How come you don't never try this brand of picking, Luther?
What you're looking for, Waylon, I already found.
Well, hey, June.
Hey, Jerry Lee.
How you doin', John?
Uh...
Well, okay, June.
How you doing?
I surmise you've never been to bed.
Surmise...
We've got a show at 2:00, a matinee.
- You remember that? We were just practicing.
Oh, come on, June, sit down.
It's slick here.
Not today, Jerry Lee.
Why not?
'Cause you're drunk.
Uh-oh!
- Whoo!
Come on, Junie, just come have a beer with us.
I'm going home tonight after the show.
I'm not here to look after y'all.
You're not?
You got somebody to do that for you, John.
You got a wife somewhere, you remember that?
Ooh!
What if I didn't?
There's too many "ifs" in that sentence.
Only one, actually.
There's only one "if" in that sentence, June.
L-I thought it was a good point.
There is only one.
Really?
How dare you talk to me like that!
We surrender! We surrender!
What was I thinking?
I must have been crazy.
Y'all are gonna blow this tour.
You can't walk no line.
June, we ain't blowing the tour.
I am not gonna be
that little Dutch boy with my finger in the dam no more!
You're lying to yourself if you think
this is about a tour, honey.
This isn't about a tour!
This isn't about a song!
John.
Honey, let's take a picture of Roseanne.
C'mon, say cheese!
What do you think of California, Mr. Cash?
We like it. We just bought a house.
Lunch time!
Come on in, everybody.
What is this?
I've been looking for that.
That's the letter I wrote to Bob Dylan on a plane.
Hey, Mama, that's that folk singer
I was telling you about.
You wrote it on an air sickness bag, honey.
So what?
What's so funny?
I was thinking maybe you ought
to try sleeping at night.
Maybe eating, maybe both.
Hey, uh, Viv, have you made your mind up about tonight?
You coming?
Okay- 'cause you're asking so nice.
I got it.
- Hello? - Music awards.
We got a British Invasion...
a beautiful girl from Brazil, a matchmaker from New York.
We even had a flying nanny.
In 1964...
Hey, Johnny.
Hey, Randy, how are you?
June? Hey.
Hi, John.
Been a long time.
Yeah.
Hi, Vivian, how are you?
Hello, June.
I saw you got married.
Uh, yes, I did.
Congratulations, June.
- Thank you, I appreciate that. - You're welcome.
So you think this one will stick?
John!
What is this, your second or your third?
- John! - I'm just asking a question.
Do not do this to me.
John!
Oh!
Hey! June, wait up. I need to talk to you.
I don't want to talk to you, John.
Hey, excuse me, fella, do you mind?
You don't look good, John.
Well, you look real nice.
So where's your truck driver?
Stock car driver.
And you'll be happy to know
that things aren't really working out between us.